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Director Vinod Kapri Decries Screen Cuts for Pyre Amid Ramayana Release

Filmmaker Vinod Kapri has expressed frustration over a significant reduction in theatre screenings for his film Pyre, attributing the sharp decline to the release of major productions. The controversy highlights ongoing tensions in India's theatrical exhibition landscape.

LSN India · 9 November 2026

Director Vinod Kapri has voiced strong concerns over what he characterises as a precipitous drop in screening availability for his film Pyre, claiming the project has lost approximately 75% of its theatrical showings. Kapri's grievance comes amid the release of larger-budget productions, including the Ramayana film, which have commanded substantial multiplex allocations across the country.

The filmmaker's complaint underscores a persistent challenge for independent and mid-budget productions in competing for screen space during peak release periods. Multiplex chains typically prioritise high-budget ventures backed by major studios, which offer greater revenue potential and marketing support.

Kapri's situation reflects broader industry frustrations among smaller production houses regarding the consolidation of theatrical distribution. The dynamics of India's cinema landscape, where simultaneous big releases can dramatically reshape exhibition schedules, have long posed obstacles for films targeting niche or parallel cinema audiences.

The incident adds to ongoing discussions within Indian cinema circles about equitable access to theatrical screens and the sustainability of diverse film production models. Industry observers note that such compression events periodically recur during major festival seasons and high-profile releases, often disadvantaging films with narrower commercial appeal.